Tag Archives: winter

This is exciting…

… though probably mostly to me!

On 5. January this year my wife and I were in Strathpeffer, and in the morning we went to the nearby Rogie Falls. I decided to go back there in the afternoon on my own and try to capture a scene I had noticed in the morning. A bit of a miscalculation in terms of timing (err… yes, I know, Scottish winter…!) meant that it was rather late in the day to do this, but I was keen to persevere, so I set up the Chamonix looking down into a little gorge. I started setting up at about 14:45, had a composition I was vaguely satisfied with at 15:15 bearing in mind the decreasing light levels, and took a series of light readings. I was mortified to find that any reasonable chance of a decent exposure would necessitate at least 30 minutes by the time I included the film’s reciprocity failure. ‘Never mind,’ I thought, ‘FP4 has plenty of latitude!’ and went for it. By 15:45, I could barely see anything in the woods around me. So I decided that another 15 minutes would do no harm, meaning the exposure was 45 minutes long. It then also started raining which was a good motivator to move on, and I could only pack up and find all my bits and pieces by getting out the head-torch (one of the most useful things to have in a camera bag!).

I finally managed to get the film to the lab and picked it up today. The resulting negative is slightly under-exposed (another 5-10 minutes would no doubt have helped), but it is perfectly usable with some relatively minor adjustments to levels and curves:

Rogie Falls, Chamonix, Fujinon 180mm, Ilford FP4, f22, 45 minutes

Rogie Falls, Chamonix, Fujinon 180mm, Ilford FP4, f22, 45 minutes

My first reaction to the image is two-fold. I think it does represent the balance between tremendous chaos and small signs of order that I felt in the woods: all these twisty branches contrasting with the clear white trunks and branches. I like the way the whiteness of the tree trunks directs my eyes - I can remember seeing this and wanting to achieve precisely that. And yet I am not completely happy with the composition: the gorge with the fallen-down tree feels a bit lost as the trees on the left dominate the foreground. I could crop the image to exclude the large tree on the left, but then the other smaller trees seem a bit irrelevant and the white trunks almost seems less prominent - perhaps the large tree is not so much a dominant tree as a counterweight to the thin white lines?

In any case: this is all very exciting for me, because it is the very first large format image I have taken completely on my own, AND I managed to use tilt and movements successfully in achieving reasonable focus across the frame. I wanted it to be a technically decent image, and it does enough of that for me to be confident to continue what I’m doing, even if it is not (yet?) that emotionally engaging for me. It may have taken me half-an-hour to set up, it may have been too late in the day to use a sensible exposure time, and it may not be perfectly composed - but I am very happy!

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A wee thought on using different equipment

My family think that I have too much camera ‘stuff’ (I don’t dare ask them too often!) - and it doesn’t help if I say things like ‘but XYZ has so much more than I do…!’ Of course, I think I have appropriate amounts of ‘stuff’ for what I want to do…

But sometimes, I realise that there are certain pieces of equipment that I have but don’t use as much as I might (don’t tell the family!). This morning I was out with my neighbour, Mabel Forsyth, wandering around Newhailes Estate in the snow. I had my Nikon digital camera with me. At times, it snowed whilst we were there, as this shows:

Snow at Newhailes Estate, Musselburgh

Snow at Newhailes Estate, Musselburgh

As we were returning to the car, the trees by the path caught our attention. I thought I’d try something a bit different, and got the Lensbaby out. I’ve had this lens for a while, but I am weary of all the contrived flower shots - it’s art, don’t you know?! - that so many people use Lensbaby optics for (I caricature, but not by much), and that puts me off getting it out too often. I should not be swayed by that, I know. This is the Lensbaby image from this morning that I like most:

The (Lensbaby) snow storm

The (Lensbaby) snow storm

Processing has been minor: small changes to tones and curves, and other than that it has been cropped to a more pleasing 4×5 ratio, and turned clockwise by 90 degrees. As will be obvious from the first image, we were not in a snow storm (the snow was rather gentle!), but for me this second rather more abstract image communicates something more about the dynamic of snow coming down than the first one, and I rather like it.

So now I can prove to my family that some of that ‘stuff’ can be used to create nice abstract images… ;)

———-

PS My favourite image from this morning’s excursion is this one, that I put up on my other site earlier today:

Newhailes Estate, Musselburgh

Newhailes Estate, Musselburgh

On the beach with the Rolleiflex

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What is there not to like about winter? I fell out of bed at 7:15 and was on the beach at the bottom of the road twenty minutes later - marvellous! In the summer, I’d have to be up at some horrific time to do the same thing (and the light isn’t so good…).

It was lovely to watch and photograph (sort of) the sunrise, seeing the light change and transform the shapes on the beach. I wasn’t too interested in the sun itself, of course, but the patterns of the beach and the water on black and white film will hopefully work.

I wasn’t the only one out there: apart from the perennial dog-walkers, two other folks with cameras and tripods were on the beach. Of course, I felt terribly superior: they had some new-fangled digital camera-thingy, whereas I was using my 60-year old Rolleiflex TLR… and now I’m off home to breakfast (whisper it: and to my digital camera for some family photos later on!).

Photographing Ngoni Namate (in the snow…)

Ngoni in the snow

Ngoni in the snow

I had the great pleasure of photographing a new (to me) model yesterday: the fabulous Ngoni Namate. When we first met a few weeks ago to talk about possible shoots sometime during the next few months, she mentioned that she would really like some photographs in the snow, were it to snow at some point soon…

Well, providing snow pretty much anywhere in northern Europe is currently not such a big problem! So we met yesterday, and she spent much of the day in gorgeous dresses in the woods - and she even managed not to freeze to death (for those who wonder what it is about ‘my’ models being cold… no, no, no, it’s just a coincidence, honest!). This is one of the (unprocessed) snapshots of Ngoni from the day - proper edited images to come once I’ve had a bit of time to go through them (not 15 months for most of them!).

Discount on photo purchases

I’ve just sold some snowy photographs from last winter. As previously notified on my Twitter feed, up until 14. November I am offering a 15% discount on any of the products on my RedBubble site: when you come to the ‘checkout’ stage, enter the following code in the coupon box, and click the appropriate button to reduce the total price:

MichaelMarten_is_on_sale_3058

Perhaps you want to use snowy cards for Christmas? When purchasing multiple cards of the same size (not necessarily the same design) the prices go down by up to 30% - so by using the offer here, you can get up to 45% off the cost of your cards… but this 15% offer expires on 14.11.10, so act now!

Dalkeith Country Park, December 2009

Note that clicking on this photograph will take you to this image on RedBubble and from there you can explore the other images; or click on the first link at the top of this post.

The beauty of autumn

The beauty of autumn

The beauty of autumn

I love the autumn - the clouds that fill the skies, and the soft gentle light that allows for a different kind of photograph to be taken from the harshness of summer light. So whereas other members of the family, and colleagues at work are sorry to see the summer days going and resent the autumnal weather and nights drawing in, like a little child I’m getting rather excited at the opportunities that lie before me with the soft diffused light that is the hallmark of this season. Of course, all the seasons offer something different, but autumn and spring are perhaps the two I prefer, at least in terms of light.

I’m planning a few short trips over the winter into the Scottish hills so that I can benefit from this light in a variety of landscapes, and am also intending to try a variety of film types (b/w print film in particular) as well as the usual digital images. So interesting times ahead…