Tag Archives: snow

A wee thought on using different equipment

My family think that I have too much camera ‘stuff’ (I don’t dare ask them too often!) - and it doesn’t help if I say things like ‘but XYZ has so much more than I do…!’ Of course, I think I have appropriate amounts of ‘stuff’ for what I want to do…

But sometimes, I realise that there are certain pieces of equipment that I have but don’t use as much as I might (don’t tell the family!). This morning I was out with my neighbour, Mabel Forsyth, wandering around Newhailes Estate in the snow. I had my Nikon digital camera with me. At times, it snowed whilst we were there, as this shows:

Snow at Newhailes Estate, Musselburgh

Snow at Newhailes Estate, Musselburgh

As we were returning to the car, the trees by the path caught our attention. I thought I’d try something a bit different, and got the Lensbaby out. I’ve had this lens for a while, but I am weary of all the contrived flower shots - it’s art, don’t you know?! - that so many people use Lensbaby optics for (I caricature, but not by much), and that puts me off getting it out too often. I should not be swayed by that, I know. This is the Lensbaby image from this morning that I like most:

The (Lensbaby) snow storm

The (Lensbaby) snow storm

Processing has been minor: small changes to tones and curves, and other than that it has been cropped to a more pleasing 4×5 ratio, and turned clockwise by 90 degrees. As will be obvious from the first image, we were not in a snow storm (the snow was rather gentle!), but for me this second rather more abstract image communicates something more about the dynamic of snow coming down than the first one, and I rather like it.

So now I can prove to my family that some of that ‘stuff’ can be used to create nice abstract images… ;)

———-

PS My favourite image from this morning’s excursion is this one, that I put up on my other site earlier today:

Newhailes Estate, Musselburgh

Newhailes Estate, Musselburgh

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Relaxing in the sun

Ngoni relaxing in the winter sun

Ngoni relaxing in the winter sun

I’m not going to create a new blog entry for every image of Ngoni that I process, but this is one of my favourites! There is something rather mad about being out in the snow in a bikini, but she continually assured me she wasn’t too cold (I was in my thermals, standing in the stream to capture this!). Before you think I’m a sadist who enjoys inflicting cold on my models, one thing you can’t see is that Ngoni is not really sitting in the snow, but on a hot water bottle wrapped in a white cotton bag - her bum and thighs were probably the only part of her that was really warm! I’m beginning to put together some images for a little gallery here, but in the meantime I thought it might be interesting to describe a little some of the processes behind making this image.

Trying to capture her naked skin against the mass of white snow was not completely straightforward, partly because (for the camera, at least), the snow dominates the scene. The camera’s white balance (set to ‘shadow’) still managed to make everything look rather blue, and the snow overwhelmed the camera’s meter, even though I metered for her face (in camera, I didn’t use a lightmeter as I was trying to be as fast as I could to prevent her from getting too cold! Key settings were ISO400, f4.2, 1/60s, the aperture being designed to create a relatively shallow depth of field). But because the camera struggled a bit with the dynamic range, along with correcting the white balance and other general edits in Adobe Lightroom and Photoshop, I needed to carry out some editing just on her body, and others just on the background, involving a tedious selection process (Photoshop’s magic wand etc. found itself being rather confused by the white bikini and the snow, and Ngoni’s legs and the bridge, making a totally manual selection necessary). Still, this allowed very precise edits to be made for Ngoni and the environment.

Also, although she is, of course, the main feature of this photograph, she occupies a relatively small portion of the overall scene. I felt that her rather pale makeup, which worked so well in the other shots from the day, got a bit lost here, so I made some adjustments to her makeup as well, which in the small image here is most noticeable in the form of much darker ‘lipstick’ being used.

Photographing Ngoni Namate (in the snow…)

Ngoni in the snow

Ngoni in the snow

I had the great pleasure of photographing a new (to me) model yesterday: the fabulous Ngoni Namate. When we first met a few weeks ago to talk about possible shoots sometime during the next few months, she mentioned that she would really like some photographs in the snow, were it to snow at some point soon…

Well, providing snow pretty much anywhere in northern Europe is currently not such a big problem! So we met yesterday, and she spent much of the day in gorgeous dresses in the woods - and she even managed not to freeze to death (for those who wonder what it is about ‘my’ models being cold… no, no, no, it’s just a coincidence, honest!). This is one of the (unprocessed) snapshots of Ngoni from the day - proper edited images to come once I’ve had a bit of time to go through them (not 15 months for most of them!).

In anticipation of a strange experience

My last posting was before Christmas, about how to photograph the snow. Since then I have been out taking photographs in Dalkeith Country Park in the snow, and also spent several days in the north of Scotland, where there was a lot of snow to photograph.

But since coming back from up north I’ve been very busy with work-stuff and have had no time to edit any images at all, let alone put them online. On Friday, I travel for work to Jerusalem, and so I anticipate using my flights to work on some of the images. This means I might finally post some of my winter snow images online when I’m in a climate that is currently experiencing a mini-heatwave - 18-21 degrees are forecast for the weekend! Even the thought of doing this seems strange.

And I’ll be in the Middle East for nearly 3 weeks, so my winter images will include sudden climactic changes… before reverting to Scotland’s February cold (I’m anticipating that!)…

Photographing in the snow…

Snow has finally reached my part of Edinburgh - quite unusual in that I live close to the North Sea. I’ve been asked how to photograph in this, so here are some bullet points to help (everything here is for digital cameras, if you’re using film with a camera that has a full matrix exposure meter - you’ll probably know if you do! - you just need to change the exposure compensation):

  • change your white balance: every digital camera, no matter how basic, will let you change the white balance (even my cheap mobile phone does this!). It tells the camera what you think is really white. Try using the cloudy or shade setting - take a few pictures and see what you think works best. You can always change this later on the computer (easier if you’re shooting RAW not JPG), but why give yourself that extra step? - and this way you know you’ve got some good photos (you can, of course, always change your white balance manually, but if you know how or why you’d want to do this, why are sitting at your computer reading this instead of photographing the snow?!);
  • exposure compensation: you’ll need to adjust exposure compensation by anything between +2/3 or +1 stops or more depending on how bright it is… this helps the camera expose properly, and allows you to rely on your camera’s meter. Every DSLR will let you do this, and most point-and-shoot cameras will do it too. If using film start with +2/3, then try +1, or if it’s very bright, go straight for +2.

If it’s good weather outside, stop reading about making pictures in the snow and get out there - the rest of this post is just niceties:

  • use a slow shutter speed to capture falling snowflakes, though if this looks too blurred, you might want to use a flash as well;
  • rather than just lots of white, try including something with colour in it - a red car parked in the snow or a black lake or a half-covered tree can make the image more than just a boring white surface;
  • if you have one, you might find a lens hood reduces glare in really bright light;
  • if you can, get out in the late afternoon when the sun is setting - the golden light will transform your white into spectacular shades of golden yellow tones merging into white.

The obvious:

  • dress really warmly (you’ll be standing about a lot!), but wear thin gloves so you can adjust your camera;
  • don’t breath out onto your camera, or it’ll be covered in condensation - snow in that kind of ‘fog’ doesn’t look as good!
  • protect your camera from too much dampness, but don’t worry overly about this: most cameras won’t mind a bit of snow falling on them;
  • when you come back in, let your camera warm up very slowly (perhaps on a window sill), with the zoom fully extended if you can - this stops compensation building up;
  • if you have changed settings as described above, remember to change them back, or your Christmas dinner photos of your family will look very odd!!

Above all - HAVE FUN!