Tag Archives: event photography

Karine Polwart CD launch and a new concerts page

Karine Polwart, August 2012

Karine Polwart, August 2012

My last posting included some images of Aly Bain and Phil Cunningham, concluding with a note that I was going to Karine Polwart’s CD launch on 17.8.2012. I made some images there too, and realise that I have several photographs from various concerts over the years that I could put online that might be of interest to others, and future concerts might also result in further photographs. So I’ve started a concerts page…

Here is one of the Karine Polwart images, with more on the concerts page. It was a great occasion, and I look forward to her autumn concert in Edinburgh. And do buy her album!

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Aly Bain and Phil Cunningham in concert

On Friday evening we went with some guests from Germany to see Aly Bain and Phil Cunningham in concert in Edinburgh - just amazing. We had seen them in concert before and they are always worth going back to.

We were just a few rows back, and I found my Nikon 105mm f2 DC lens at f2 on the D90 just perfect for catching these portraits of the two gentlemen in action.

Aly Bain

Aly Bain

They were playing a number of pieces from their new album, Five and Twenty, which is rather wonderful (yes, of course I bought it!).

Phil Cunningham

Phil Cunningham

This is a time full of musical delights: Karine Polwart is releasing a new album, and I hope to be at a launch on 17.8.!

Fifty years of the Centre for African Studies

I came home yesterday to find a copy of a booklet celebrating 50 years of Edinburgh University’s Centre for African Studies, and it included my portrait of Sengalese musician Soriba Kanout, performing in Edinburgh in autumn 2011:

Soriba Kanout

Soriba Kanout

He was performing at the end of the 2011 Africa-in-Motion film festival (one day I’ll get around to putting some of those images on this website; I’m way behind with everything on the site just now).

I’d been asked about this photograph quite some time ago, and had almost forgotten that we’d come to an agreement about usage for this publication. It’s nice to see another of my images in print…

Photographic narration - narrating photographs

Stephanie, icon of the silver screen

I have begun to rework some of my image galleries, which I thought were becoming somewhat stale and not very helpfully organised. In addition, I began to feel that just ‘dumping’ a series of images in a gallery was no longer what I wanted to do. Photographs should both tell a story, but there is also a story behind most photographs. So my galleries are now organised by type: land (land- and cityscapes), models, events. Within these broad categories the galleries will hopefully offer more of a sense of the story behind the photographs, as well as - in part - perhaps suggesting ways in which the photographs might be interpreted. Of course, this latter approach is broadly about how I understand my own work, and that isn’t necessarily how others see it!

In the first instance, I’ve done some work on the models galleries. There are several reasons for this:

  1. there are a limited number of galleries making this a task that was more easily manageable!
  2. for a while now I have felt I wanted to pay homage to Stephanie, who has been a profound influence on my portraiture. In the introductory narrative to the models section, I describe her role to me as a photographic muse (and I’m already thinking of the beginning of a new series of photographs that I’d like to start with her when she is next in Scotland, whenever that’s going to be). I have therefore written what are almost little photographic essays about our first two portrait sessions that might be of interest (do start with the Edinburgh narrative and then move on to the London collection!).
  3. although I was very aware that I would have to put a lot of work into these particular narratives, I don’t expect many of the other galleries to involve quite so much work. This means I am better able to gauge the task, but also see how a detailed textual accompaniment would work.

My next task will be a little tidying up and adding to for the events section, and then I’ll begin to work on the landscapes - this looks as if it will be the most work because there are more galleries and images, but as noted above, I don’t see myself writing quite as much as I did for the two long Stephanie essays. I’ll be splitting the land galleries up into countries or regions, and will also include some of my photographs from the Middle East.

Of course, this is a bit of an ongoing project for the moment, and so I would be very interested in any comments - good, bad, indifferent - about what I am trying to do here. Please either use the comments sections below, or write to me directly using the contact page - thank you!

My most beautiful model - see the Galleries, Models page for more information

My most beautiful model - see the Galleries, Models page for more information

Getting there, slowly

One of the problems with being off work with an arm injury (and therefore being unable to use the computer properly) is that editing photographs is also a problem: many of the mouse movements are difficult, and repetitive actions strained my arm and hand in ways that prevented me from doing anything very much with any of my images. And using my Wacom tablet was out of the question - and still is.

Now, I have far too many photographs in my optimistically-named ‘temp’ folder in Lightroom 3, just waiting for me to sort and edit them (oh, and go through the mindless but necessary tedium of adding keywords). For almost all of the photographs in that limbo state, this delay is not a problem - they are just my private photographs. But shortly before the accident I had volunteered to take photographs at an event at my son’s school: the older pupils were running a fashion show to help raise some funds, and these photographs needed to be processed urgently. And… I must be getting better since not only am I beginning to use my cameras again, I have also managed to finish the edits on the fashion show, editing photographs in batches.

This was an enjoyable evening, and the pupils’ enthusiasm was infectious - not much sullen strutting up the catwalk in evidence here! Even dubious fashion items (a leather kilt, anyone?) were worn with pride, and many of the young women clearly felt like princesses in their prom dresses and the like. (Must remember not to mention the forthcoming examinations to them…)

School fashion show

School fashion show

LoveWoW, SaveWoW

And now, for something completely different.

A long time ago in a small town in Germany, there lived a shoemaker…

No. Start again.

Janet Powney

Janet Powney

A long time ago - 15-20 years ago, before I got a life and became an academic and spent more of my free time on photography - I did lots of computer consultancy and related work, especially for small charities and the like. One of the organisations I did some work for was a wonderful charity called Women Onto Work, which helped disadvantaged women in Edinburgh by providing training to enable them to move into work.

Hazel Smith, former WoW director, updating local councillor, Scottish Parliament candidate, and all-round good guy, Ewan Aitken

Hazel Smith, former WoW director, updating local councillor, Scottish Parliament candidate, and all-round good guy, Ewan Aitken

However, in the last few months, WoW has found itself in serious trouble, with some staff leaving and others being suspended, and all manner of odd shenanigans going on. This has resulted in courses being cancelled, graduation ceremonies for trainees not taking place, and more.

Sian Bevan hosted the evening with flair!

Sian Bevan hosted the evening with flair!

A group of people, including Dr Janet Powney, a former chair of the WoW board who is a friend of mine, and the former patron (the comedian Susan Morrison: she was ‘de-patronised’ by the current board - just imagine what a comedian can do with that!) are trying to rescue WoW and enable it to resume the work it has carried out in the past. To this end, they organised a benefit evening at The Stand, one of the premier comedy venues in Edinburgh; these photographs are from that evening.

Support the LoveWoW, SaveWoW campaign!

Jay Lafferty discusses romance

Jay Lafferty discusses romance

Susan Morrison explaining drunken squirrels (don't ask...)

Susan Morrison explaining drunken squirrels (don't ask...)

Stu and Garry, as police officer and drunken laird...

Stu and Garry, as police officer and drunken laird...

Not photographing everything

I’ve just read a wonderful blog post on B&H’s website on not photographing everything all the time. I think anyone who regularly has a camera with them and is known for doing that - whether they are a pro or an amateur - will be able to relate to this blog posting! I was delighted to find myself able to say “no” recently - just before my office Christmas lunch someone asked if I had my camera with me… and of course I did. But I found an ideal solution: I declined, but gave my camera to a colleague who is also a keen photographer, and very good at capturing portraits. So he used my camera and photographed everyone, whilst I was able to have my Christmas lunch in peace and concentrate on interacting with those around me: I wasn’t a photojournalist covering an event!

And one added benefit came from all this: I now even have photos of myself. Not that I really like being photographed (I think many photographers feel the same way!), but sometimes it can be quite nice to have some images of myself too.

Fashion show photography

A purple shirt and a turquoise dress

A purple shirt and a turquoise dress

Last week I had great fun photographing the Africa-in-Motion closing party and fashion shows, along with my friend Mabel Forsyth. Mabel kindly sent me one of her photographs, capturing a beautiful model in an amazing turquoise dress, with a little purple-shirted gnome in the background… honestly, does that purple really go with that turquoise?!

Photographing an event like a fashion show is new to me - this is about portraiture on a super-high caffeine overdose! Portraits are fine, and I generally love engaging with people to create interesting photographs, but at the fashion shows decisions about composition needed to be taken at lightning speed - I was able to set myself up in a corner (as you can see in Mabel’s photo), which played a key role in the kinds of shots I could get, but there were still decisions needing to be taken all the time. Professional fashion show photographers are said to attempt to capture each model’s face, head and shoulders, and full body - all well-composed and properly lit, of course.

Well that’s a great aspiration… but I only managed this for one or two of the models, and even then the shots were not of a uniform quality! Of course, a professional zoom lens keeping a constant f2.8 aperture might have helped a bit (my non-professional zoom goes from from f3.5 to f5.6 depending on focal length), but this is not really about equipment. It’s a question of skill and incredibly fast reactions that come with a lot of practice - and I have no problem admitting that I’m not able to keep up with that! I don’t see myself having too many opportunities to reach that stage, and I probably wouldn’t want to anyway, given my limited interest in fashion. But I had great fun, produced some usable images, and have even more respect for the hard work done by professional photographers at fashion shows. And that has to be worth something, right? ;)

Event photography: Africa in Edinburgh!

Directors with Jean-Marie Teno

Directors with Jean-Marie Teno

Photographing at my first wedding in May, I found it a very pressured experience, but this last week I’ve been engaging in a different kind of event photography. Together with my friend Mabel Forsyth I’ve been photographing for the Africa-in-Motion film festival, one of the largest African film festivals outside Africa. This involves us photographing at selected events (the organisers have not booked us for every one of the myriad events that make up the festival) and ensuring images taken in the evening are available for press use by the next morning. There is a pressure in doing that, because there are usually a substantial number of images that need to have quick edits performed on them and made ready within hours of the event happening - no 15 months for edits allowed here!!

I have found all this (a kind of photojournalism, I suppose) to have a certain appeal: composition and ‘getting it right first time’ are important here, as is the need to quickly assess an image as 1) good, 2) good enough provided it’s edited a bit, or 3) not good enough/rubbish (hopefully not too many in the third category!), and then thinking about which edits are needed to improve each image. Having edited more than several hundred images in a couple of nights, I realise that the only edits that I have really been performing are related to cropping, occasional red-eye removal, adjusting/lifting exposure, and noise reduction. For sorting, editing and exporting large numbers of images very quickly, Adobe’s Lightroom 3 has been simply invaluable: I haven’t needed to open Photoshop once (Photoshop will be used for editing a selection of images for high quality print usage after the Festival, of course).

The reception

The reception

One of the interesting things about my crops that I have noticed is that most of them have automatically become 4×5 crops. Without consciously realising it, I have made this my default crop size for portraits; I was aware I was doing this (or going with completely square images) for landscapes, but I’ve been shooting just (environmental) portraits these last few days. The standard 6×4 size that SLRs produce (for historical reasons, it’s the size that 35mm film went with) is too long and thin for me and I generally prefer squarer shapes. That much I knew. But after editing over 200 images in one evening, I realised that most of them had ended up in 4×5 format too… an interesting little development on my part, I think.

The festival is still going strong at the time of writing, ending next week with a fashion show - I’m looking forward to that!

There is a gallery of images here from the festival that I’ll occasionally add to as time goes by (especially from the fashion show), but the festival Facebook page and (I think) the website are showing more images, including ones by Mabel - so check out the photographs and if you are nearby, go to some of the excellent events being organised in the festival!