Tag Archives: Portobello

On the beach with the Rolleiflex

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What is there not to like about winter? I fell out of bed at 7:15 and was on the beach at the bottom of the road twenty minutes later – marvellous! In the summer, I’d have to be up at some horrific time to do the same thing (and the light isn’t so good…).

It was lovely to watch and photograph (sort of) the sunrise, seeing the light change and transform the shapes on the beach. I wasn’t too interested in the sun itself, of course, but the patterns of the beach and the water on black and white film will hopefully work.

I wasn’t the only one out there: apart from the perennial dog-walkers, two other folks with cameras and tripods were on the beach. Of course, I felt terribly superior: they had some new-fangled digital camera-thingy, whereas I was using my 60-year old Rolleiflex TLR… and now I’m off home to breakfast (whisper it: and to my digital camera for some family photos later on!).

Tomorrow morning… beachscapes with the Rolleiflex

The weather is looking good for early tomorrow morning, and so I think I’ll take the old Rolleiflex down to the beach and try out some monochrome beachscapes (I have Ilford 125 film in it just now).

Tomorrow's forecast!

Tomorrow's forecast!

And I must start getting my film developed – I have rolls from October 2011 and perhaps even earlier waiting here! I know that I should, of course, start developing my film myself… that will come…

Alan Ross’ photography and his #PostAPhotoFriday idea

To my considerable astonishment, Alan Ross recently started following me on Twitter.  Although I had come across his images before, I didn’t know he was on Twitter until then; I am (of course!) following him now too.  I really like the subtlety of his images, which for me are not ‘in your face’ ‘wow’ photographs – excuse the crudity of this description: it relates to debates in the Great British Landscapes magazine (see especially here and here) – but are long drawn out intakes of breath in appreciation at the compositions, tones and textures.  Even in small sizes on a computer screen, I can look at his photographs for ages, and I encourage you to take some time to explore his gallery.  I’d love to see some of his printed work sometime.

Alan posts new images regularly, sometimes daily, but there is no way I can keep up with that, given that I have a full-time job that has nothing to do with my photography.  But he also suggests a challenge, that he tags as ‘#PostAPhotoFriday‘ – the idea being that sharing a photograph with this tag every Friday enables others to see your efforts (of course, he posts his own images too).  For example, here is his message from last week:

I think this is an inspired idea: a weekly post should usually be a manageable time frame for me, even with a full time job, and because I think I need the discipline of a time frame to make sure I regularly put images out there for people to see and critique, I’m going to try and follow Alan’s suggestion.  So, below is my first of these Friday photos, on the beach at the bottom of my road.  This was taken whilst out walking with Alastair Cook at the beginning of October, with autumnal skies and tones.  It’s on Kodak T-Max 400 (that expired in July 2009), using my medium format Mamiya and an 80mm lens.  To me it looks a bit like a drunk has staggered along the beach before us (I assure you these prints are not Alastair’s – nor mine!).

Finally, I heartily recommend following Alan on Twitter and taking time for studying the images on his website!

Portobello beach - but not my footprints!

Portobello beach - but not my footprints!

Of course, I’m always open to comments – but if they’re about this image, can I request that you comment in the gallery location instead (clicking on the image also takes you to the gallery image).  Comments on this blog posting can be made below as usual.  Thank you!

 

Great British Landscapes

Portobello beach (shot on Velvia, with Nikon FM2 and 50mm lens)

Portobello beach (shot on Velvia, with Nikon FM2 and 50mm lens)

Towards the end of last year, the first issue of a new online landscape photography magazine, Great British Landscapes, was launched, with the express intention of wanting to utilise the different opportunities that a web presence offered.  The first issue was free, and I thought it was great.  So I subscribed for a year and have not been disappointed (it went on my list of photographic inspirations almost immediately; the two editors were already there!).  Tim Parkin, one of the editors, said at one point that he would like to conduct interviews with the early annual subscribers, and it also says this at the bottom of the homepage… but I thought nothing more of it.  During the holidays, however, he got in touch, and we had a long conversation about all kind of topics, and the piece has now appeared in the sixth issue.

Tim chose a number of photographs to include with the article.  The three in the article itself are ones I sent him, but the others are all his choice – and it’s very interesting for me to see the images that have attracted a talented photographer like Tim!  In particular, the ‘headline’ image (next to the link to the interview) is one I recall being quite uncertain about posting, since I wasn’t sure it had worked.  For me this raises interesting questions about the value I place on particular images, perhaps something to return to in a blog posting in the future.  But in the meantime, it’s exciting to be in the magazine! :)