Category Archives: weather

Tomorrow morning… beachscapes with the Rolleiflex

The weather is looking good for early tomorrow morning, and so I think I’ll take the old Rolleiflex down to the beach and try out some monochrome beachscapes (I have Ilford 125 film in it just now).

Tomorrow's forecast!

Tomorrow's forecast!

And I must start getting my film developed – I have rolls from October 2011 and perhaps even earlier waiting here! I know that I should, of course, start developing my film myself… that will come…

The beauty of autumn

The beauty of autumn

The beauty of autumn

I love the autumn – the clouds that fill the skies, and the soft gentle light that allows for a different kind of photograph to be taken from the harshness of summer light.  So whereas other members of the family, and colleagues at work are sorry to see the summer days going and resent the autumnal weather and nights drawing in, like a little child I’m getting rather excited at the opportunities that lie before me with the soft diffused light that is the hallmark of this season.  Of course, all the seasons offer something different, but autumn and spring are perhaps the two I prefer, at least in terms of light.

I’m planning a few short trips over the winter into the Scottish hills so that I can benefit from this light in a variety of landscapes, and am also intending to try a variety of film types (b/w print film in particular) as well as the usual digital images.  So interesting times ahead…

An invitation and a warning

Airthrey Loch

Airthrey Loch

I have been tidying up photographs on my computer, clearing out some that I’m not going to use, and finding others that I’ll still want to work on.  I liked this one, from Airthrey Loch early one morning in July: the path seems to be an invitation to get into the water… with the life saving equipment acting as a bit of a warning to not stray too far out!

Speaking of getting into the water: I’m excited by plans for tomorrow: very early in the morning I’m collecting a friend who has agreed to model for me, and we’re off to create a series of photographs at a nearby beach; I envisage this being a little narrative.  She is doing all this in the knowledge that I’m expecting her to end up lying in the water… the North Sea in Scotland, even in August, is not where most of us would want to lie down, especially not just as dawn is breaking and the air temperature is still relatively low!  So I’m excited but also a bit nervous, hoping that everything is going to go as planned and that my ideas will lead to at least passable results – I don’t want her to get wet and cold for nothing!!

Cityscapes and landscapes

As a historian by day and a photographer by night (as it were), I find I am fortunate enough to have two very different creative outlets: archival and writing work, and the making of images. And later today I am off to Germany for a week and will be able to indulge in both: I’m going to a private archive in Düsseldorf for a few short days, and then – via a circuitous train journey through half of Germany in order to include a meeting with a colleague – going on to visit family in the north. The archive is very close to the Rhine and so I’m hoping for some evening or night opportunities there, and my family live in a small town called Ratzeburg, which is on an island surrounded by three lakes; I’m hoping to catch the sunrise at least once across one of the lakes.

It all sounds like a near-perfect week, combining enjoyable work and pleasurable past-time… especially after the long and exhausting semester I’ve had…

In anticipation of a strange experience

My last posting was before Christmas, about how to photograph the snow. Since then I have been out taking photographs in Dalkeith Country Park in the snow, and also spent several days in the north of Scotland, where there was a lot of snow to photograph.

But since coming back from up north I’ve been very busy with work-stuff and have had no time to edit any images at all, let alone put them online.  On Friday, I travel for work to Jerusalem, and so I anticipate using my flights to work on some of the images.  This means I might finally post some of my winter snow images online when I’m in a climate that is currently experiencing a mini-heatwave – 18-21 degrees are forecast for the weekend!  Even the thought of doing this seems strange.

And I’ll be in the Middle East for nearly 3 weeks, so my winter images will include sudden climactic changes… before reverting to Scotland’s February cold (I’m anticipating that!)…

Photographing in the snow…

Snow has finally reached my part of Edinburgh – quite unusual in that I live close to the North Sea.  I’ve been asked how to photograph in this, so here are some bullet points to help (everything here is for digital cameras, if you’re using film with a camera that has a full matrix exposure meter – you’ll probably know if you do! – you just need to change the exposure compensation):

  • change your white balance: every digital camera, no matter how basic, will let you change the white balance (even my cheap mobile phone does this!).  It tells the camera what you think is really white.  Try using the cloudy or shade setting – take a few pictures and see what you think works best.  You can always change this later on the computer (easier if you’re shooting RAW not JPG), but why give yourself that extra step? – and this way you know you’ve got some good photos (you can, of course, always change your white balance manually, but if you know how or why you’d want to do this, why are sitting at your computer reading this instead of photographing the snow?!);
  • exposure compensation: you’ll need to adjust exposure compensation by anything between +2/3 or +1 stops or more depending on how bright it is… this helps the camera expose properly, and allows you to rely on your camera’s meter.  Every DSLR will let you do this, and most point-and-shoot cameras will do it too.  If using film start with +2/3, then try +1, or if it’s very bright, go straight for +2.

If it’s good weather outside, stop reading about making pictures in the snow and get out there – the rest of this post is just niceties:

  • use a slow shutter speed to capture falling snowflakes, though if this looks too blurred, you might want to use a flash as well;
  • rather than just lots of white, try including something with colour in it – a red car parked in the snow or a black lake or a half-covered tree can make the image more than just a boring white surface;
  • if you have one, you might find a lens hood reduces glare in really bright light;
  • if you can, get out in the late afternoon when the sun is setting – the golden light will transform your white into spectacular shades of golden yellow tones merging into white.

The obvious:

  • dress really warmly (you’ll be standing about a lot!), but wear thin gloves so you can adjust your camera;
  • don’t breath out onto your camera, or it’ll be covered in condensation – snow in that kind of ‘fog’ doesn’t look as good! :)
  • protect your camera from too much dampness, but don’t worry overly about this: most cameras won’t mind a bit of snow falling on them;
  • when you come back in, let your camera warm up very slowly (perhaps on a window sill), with the zoom fully extended if you can – this stops compensation building up;
  • if you have changed settings as described above, remember to change them back, or your Christmas dinner photos of your family will look very odd!!

Above all – HAVE FUN!

Coping with the rain

(Stefanie, this one’s for you!)

It rained a lot over the weekend in Torridon.  A LOT.  Even by damp Scottish standards, there was an excessive amount of rain, and rain in Scotland, as I suggested in my second post about the weekend, has magical properties.  Waterproof raincoats are sometimes tested to their limits in Scotland (perhaps it ought to be a legal requirement that all jackets sold as ‘waterproof’ need to have spent at least a couple of days in a proper Scottish downpour before they’re allowed to be described as ‘waterproof jackets’!).  But even if you have a jacket that is waterproof, eventually, water still manages to get everywhere – if it’s not rain, it’s rain and sweat!  This summer I walked up Ben More on Mull, and it rained almost continuously all the way up and all the way down – about 5 or 6 really miserable hours.  I was quite literally soaked through to the skin, to the extent that after I drove back to the house, the car seat ended up being rather damp (but most importantly, both my cameras were safe… I had them wrapped in plastic bags!).  Whenever I felt the downpour ease off a bit, I opened my jacket to take a camera out and catch a photo (none of which were any good!).  This naturally let in rain, and combined with sweat, the waterproof jacket really couldn’t help me.  In Torridon at the end of October, I found that my jacket was ok, but water ran up my sleeves every time I reached out to adjust camera settings – despite the jacket’s elasticated lining on the wrists.  And water came in through the pocket area of my waterproof trousers (ha! damp-proof trousers would be a more accurate description!), and and and… like I said, magical properties!

But one of the things that the weekend confirmed for me about cameras in the rain is that rain really shouldn’t be something to stop you creating photographs: although there are special waterproof camera housings that allow easy access to the camera controls whilst allowing the lens free access to the open air, I have found over the years that for most circumstances, a completely clear plastic bag and some strong elastic bands also works: put the camera inside the bag, put the elastic bands round the front of the lens just behind any filters that you’re using, if necessary tear a small hole in the bag to allow the tripod mount to be used (I can just jam my tripod head into the camera holder without doing that – it tears the bag by itself), and you’re done!  If you are using a zoom lens, make sure it can move forwards far enough, and you can then take your photographs (if your lens doesn’t have internal focusing, the front of the lens will probably turn when you focus – make sure your elastic bands don’t prevent this, especially if you’re relying on the delicate autofocus motors).  The viewfinder will be blurred by the bag, but you’re mostly using it for rough composition in such circumstances: precise cropping can be done later.  Take care when removing the bag after the rain – you don’t want to spill water from it onto the camera, defeating the object of protecting the camera in the first place!

The other thing you will need is very absorbent soft tissue for wiping down filters/lenses.  Using very soft paper towels from a hotel bathroom works well, or try very soft kitchen roll (the key thing is that you need to avoid using anything that might scratch the delicate glass).  I find that if the rain is heavy, I wipe down the filter and – using my remote control – immediately take the photograph.  If you haven’t got a remote control, get one – my Nikon one was about £10 and it is invaluable; I’m sure Canon offers something similar.

Why bother with all this?  Very simple: when it’s raining the light is often really soft and gentle, with lots of gradual changes in tone and colouration.  I think it is such a shame to miss it that for a long time now I have always had a clear plastic bag and elastic bands with me in my camera bag.  Especially useful in Scotland…